Horns, woodwinds and real time processing can go a long way if manipulated by inventive and inquisitive musicians. Leaving well behaved transgressions within delineated contours of judgement and irony, Pask and Kaiser draw an alternative way to multi-dimensional explorations of airy territories that – even considering the scarcity of instruments – maintain an oblique orchestral flavour which is the record’s very strength. Both artists wear their remarkable technique without a whiff of megalomania, questioning their directions every minute, leaving precious thinking room to each other and emanating contrapuntal intelligence over the course of the whole work. And if hints of irreverence appear, they are promptly wrestled by a unanimous connection to bittersweet melancholies and independency statements that a sapient effect treatment transforms into architectures of extravagant lucid dreams.


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