Just over 33 minutes of ear stinging, brain scathing radiographies by Garcia on electric double bass and Mattin on computer feedback. Complex, refreshing, the noise/sound perfect placing by the pair yields lots of rippling distorted waves alternating with bass frequencies often sounding so underneath, you could probably measure them on the Richter scale. Trying to give a name to this genre of sound deconstruction is an unpronounceable heresy; but – lo and behold – I opened my window in this torrid summer day and everything fitted magnificently with cicadas chanting in the outside fields. Concise and straight faced, there is nothing that could be said against this effort.