MAX EASTLEY / MICHAEL PRIME – Hydrophony For Dagon


This haunting music was recorded in 1996 at “The Four Elements”, SKRAEP Copenhagen. Every sound was generated underwater by an array of instruments including hydroarcs, bubble machine, tubing, fans, motors, tapes and objects. Coherently with their work, which many times has employed water as means or texture, Eastley and Prime develop a convincing narrative whose obscurity is made desirable by a challenging exploitation of aquatic reverberations and refractions. This means that we’re neither in presence of a soundtrack for a dolphin exhibition, nor ambient music for swimming pools; try instead to conjure up images of an Organum/Noise-Maker’s Fifes hybrid whose clothes are slowly washed by a humongous machine that puts us in a suspended state through its monotonous cycles of deep regurgitations. Never intimidating, rather comfortable, this womb of gurgles is nicely balanced between abstraction and tangibleness, which results in a very appreciable release.


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